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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Video Interview, Nov 2024

To Give Up This World, To Have Many Others – In Conversation with Ailton Krenak

Ailton Krenak (by video) Denise Ferreira da Silva Amilcar Packer

A recorded a conversation that grounds the Episode, exploring Ailton Krenak’s thinking and distinct poetics of life; as it work against capitalism and fascism, as a denunciation of political alliances, and maybe even of ‘politics’.

Episode 11: To End the World As We Know It
Rainbow pride heart window decals advertise an offer at a Sunbed shop, Consol
23 November 2019
Tramway

Future Ruins: transfeminism, austerity and the archives

Jay Bernard Mijke van der Drift Nat Raha

Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.

Episode 10: A Means Without End
A man with a torch looking at a mixing board
13 November 2010
Tramway

N30: Live at the WTO

Christopher DeLaurenti

N30 is a massive, dynamic, immersive multi-channel presentation of front-line field recordings from the protest against the WTO in Seattle

INSTAL 10
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
A man sits at a desk with a large timer clock on it and speaks to camera
28 February 2010
DCA

Morgan Fisher – Screening and Chat

Morgan Fisher

Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.

Kill Your Timid Notion 10
A still frame from a film. A sheepdog barks and the words Bottoms Sup are shown
11 October 2008
DCA

Film Programme: Bleu Shut

A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”

Kill Your Timid Notion 08
Amelia is framed to the right of the picture smiling. They are wearing a sky blue tie dye shirt and brown cap. They are pictured in Abiquiu, New Mexico, by the Chama River, surrounded by cholla cacti blooming bright pink flowers with a mountainous landscape behind.
21 June 2023

Meditations in a Chronic Emergency

Amelia Bande

With lo-fi dreams and high-def humor, Bande brings MC vibes to the day. Interluding music with spoken performance, the live extimacy of Bande’s presence reaches out via emo-techno-bridges.

I wanna be with you everywhere 2023
Taku Unami standing against a wall
22 February 2010
DCA

Investigation – Taku Unami

Taku Unami

With Taku we’ll carry out some simple proposals for doing almost nothing, for re-thinking sound with whatever comes to hand.

Kill Your Timid Notion 10
a newspaper clipping of a drawing of a donkey, side on
29 November 2008
BFI Southbank CCA Arnolfini

Word Associations

Various Artists Guy Sherwin John Smith

A programme of discontinuity between narration, text and image. Including Manual Saiz’s employment of John Malkovich’s Spanish dubbing double and Peter Rose’s absurdly hilarious concrete poetry subtitling chaos.

Kill Your Timid Notion on Tour
12 October 2005
The Universal

Stalled at Universal – FRU

Fordell Research Unit

Edinburgh. Beer and smoke befuddled drone/ deadly efforts by Pjorn72 kingpin.

INSTAL 05
A flyer in black and grey that says Master BallStar Weekend
15 – 20 April 2014
MoMA PS1 The New School Holiday Inn Club Escuelitas

Master Ballstar Weekend

A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.

Ultra-red & Nancy Nevarez seated around a large table with audience members
4 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Nancy Nevárez Ultra-red

For day three of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Nancy Nevárez.

A survey is a process of listening
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