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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Denise Fererria Da Silva holds both hands in the air as she talks to the group
28 September 2014
Tramway

Realness

Charlene Sinclair Fred Moten Icon Ayana Christian Michael Roberson Tourmaline

A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.

Episode 6: Make a Way Out of No Way
A woman looks towards the camera from the a low angle, there are trees behind
19 April 2015
Tramway

Standing in the Flesh

Hortense J. Spillers

In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?

Episode 7: We Can’t Live Without Our Lives
Freedom Is a Constant Struggle Poster Graphic
17 – 21 April 2013
Tramway

Episode 4: Freedom is a Constant Struggle

Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?

Ripples on the surface of water
12 October 2008

cloud _to_air

Seth Cluett

Like walking through the abstracted amalgamation of 30 or so storms, trays of water shaken by thunder, light bouncing off pools.

Kill Your Timid Notion 08
A Special Form of Darkness Poster Graphic
24 – 26 February 2012
Tramway

Episode 2: A Special Form of Darkness

A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?

1 December 2002
The Arches

John Wall

John Wall

Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces

INSTAL 02
Two figures boxing in front of an audience
27 February 2010
DCA

Overheard (Suspension of Belief Sketch 4)

Resonance Radio Orchestra

There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?

Kill Your Timid Notion 10
Two rectangular forms of white light against black on a screen
14 April 2007
DCA

Surface Tension

William Raban

Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.

Kill Your Timid Notion 07
Three men operating electronic equipment. Fraser is in yellow on the floor
22 March 2009
The Arches

Free-form hook up

Grant Smith Jean-Philippe Gross Fraser Burnett

Droner responsible for Fordell Research Unit, Muscletusk’s murk manipulator and Metzian concrete-mixer cement international relations and yr heids.

INSTAL 09
A microphone hanging from a cable
26 February 2010
DCA

Mattin

Mattin

Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.

Kill Your Timid Notion 10
Maryanne Amacher operating a mixing console, wearing glasses
15 October 2006
The Arches

Maryanne Amacher

Maryanne Amacher

A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.

INSTAL 06
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