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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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People sitting around a table listening and talking
22 October 2016
Tramway

Captive Genders – Criminalisation

Che Gossett English Collective of Prostitutes Eric A Stanley Scot-Pep/ Umbrella Lane Tourmaline

What is happening when systems of repression try to grasp communities’ ways of being, living or surviving, applying laws of sexuality, gender or race to cast them as criminal?

Episode 8: Refuse Powers’ Grasp
Reina smiles as they hold a placard: "This is our life, this is our time"
28 September 2014
Tramway

From Subjection to Subjection

Charlene Sinclair Saidiya Hartman Tourmaline

A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.

Episode 6: Make a Way Out of No Way
A gloomy pond with dark rushes reflect a grey light. A pink lens flare
24 November 2019
Tramway

aspects caught in the headspace we’re in

James Goodwin

Goodwin’s writing emanates from the social life of poetry, from a condition of entanglement before historically racially-specific forms of representation. Another word for this emanation is breath.

Episode 10: A Means Without End
Jackie Wang and Alexander Moll are on dark stage spotlit with a yellow and blue
22 November 2019
Tramway

Cottonmouth Liturgy

Alexander Moll Jackie Wang

A multi-media harp and spoken word tribute to the incalculable, the in-deducible, the suspicious static noise that accompanies the voice of truth, and the attempted aberrations in the domain of emergence.

Episode 10: A Means Without End
Fernando stands gestures with one arm out, the other hand rests in the crook
22 November 2019
Tramway

Workshop on Gestural Maths

Fernando Zalamea

Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.

Episode 10: A Means Without End
Three women pose in front of a home made banner "Get the Body of a God"
28 September 2014
Tramway

Dance Workshop

Glasgow Open Dance School Miss Prissy

A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!

Episode 6: Make a Way Out of No Way
16 November 2024
Tramway

The We of revolutionary love

Houria Bouteldja

The practice of North African Indigenous revolutionary love, in the face of European capitalist violence and settler colonialism, with one of the most vital anti-colonial thinkers in Europe.

Episode 11: To End the World As We Know It
Dream-like landscape doubly exposed, clouds seem to be on top of ocean on top of land.Three deer turn away from the camera into the diffracted horizon.
14 November 2024
Tramway

BARRUNTO

Emilia Beatriz

A speculative narrative film informed by poetry and theories of quantum entanglement across diasporic distance. An intimate exploration of grief and resistance in shifting landscapes of loss, from the streets to the bed.

Episode 11: To End the World As We Know It
Robin Hayward sits whilst playing a tuba with a ball of sand at the horn
15 February 2008
The Arches

Self Cancellation – Sand

Robin Hayward

Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.

INSTAL 08
Kiyoharu Kuwayama holding blocks of dry ice to a hot metal plate
14 October 2006
The Arches

Lethe

Kiyoharu Kuwayama

A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.

INSTAL 06
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
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