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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Richard Youngs stamps his foot and gesticulates as he sings energetically
17 February 2008
The Arches

Personal Space

Luke Fowler Richard Youngs

For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.

INSTAL 08
A close up of  trombone horn
13 October 2006
The Bridge

Symphony for Swimmers

David Dove Nmperign

During their time in Scotland for Instal 06 Dave Dove, Bhob Rainey and Greg Kelly did some improvisation workshops and performances in and around Glasgow.

INSTAL 06
an overflowing bowl of water in a sink displays beautiful interference waves
11 October 2008
DCA

Film Programme: Events

Benedict Drew Takehisa Kosugi Various Artists

Everyday objects and materials (rubber bands, paper, a sink, microphones) disabused of their inertia and made to speak for themselves in a kind of focusing in on the tiny, repetitive, almost unobserved (sonic/ visual) potential of everyday things put into motion.

Kill Your Timid Notion 08
Moor Mother performs at Episode 9, back lit with pale golden light
16 November 2017
Tramway

Moor Mother

Moor Mother

Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.

Episode 9: Other Worlds Already Exist
A masked figure holds a microphone in stark lighting
15 October 2005
The Arches

Sun City Girls

Sun City Girls

Perhaps the paradigm of America’s covert musical subculture, Sun City Girls operate just over the border of raucous delirium.

INSTAL 05
Four people sat around a table on a stage. They are having a discussion.
23 October 2016
Tramway

Prefiguring the World We Want to Live In

Che Gossett Kai Lumumba Barrow Miss Major Tourmaline

How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.

Episode 8: Refuse Powers’ Grasp
Snapchat of street at night lit with white polythene covered boards
16 November 2017
Many Studios

Anal Panopticon

Huw Lemmey

Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.

Episode 9: Other Worlds Already Exist
theeyeandtheear
15 April 2007
DCA

Film Programme 6: Contrast

Various Artists Guy Sherwin

Includes: tamed TV snow, video feedback of racing particles, a remake of a polish photogram film destroyed in WWII, a visual and aural representation of Gestalt theory, hole-punched film and Guy Sherwin’s Cycles 3 double-projection.

Kill Your Timid Notion 07
People huddled around a speaker on a street in Glasgow
9 May 2010
George Square

In The Shadow of Shadow – Walk

The Strickland Distribution Ultra-red

A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis

UNINSTAL
Four folks sit around a table looking out of frame to someone asking a question
20 April 2013
Tramway

The Experiment: Pt. 2

Amiri Baraka Fred Moten Sonia Sanchez Wadada Leo Smith

How does this practice, that simultaneously resists and honours the distinctions between these genres, materials and senses, determine the inhabitation of another: a convergence of aesthetic and social experimentation?

Episode 4: Freedom is a Constant Struggle
Arika_ASIAPOL_Whitney2012_CraigDworkin_VanessaPlace_Photo_BMcIntyre-3
2 May 2012
Whitney Museum of American Art

A Handbook of Protocols for Literary Listening

Craig Dworkin Vanessa Place

Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.

A survey is a process of listening
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
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