No Diving 2
Storyboard P
Live in person at Performance Space New York and live-streamed everywhere! Watching Storyboard P dance feels like glimpsing into another world.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Live in person at Performance Space New York and live-streamed everywhere! Watching Storyboard P dance feels like glimpsing into another world.
A performance bearing witness to a struggle built upon patience and collective action from the great multi-instrumentalist and member of the AACM.
An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.
The Experimental Improvisers Association of Japan, [EXIAS-J] are a loose collective of musicians and dilettantes who seem to represent an entire and self sufficient scene in one band.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
Why won’t the idea of the particle or individual go away? Is the measurement problem in physics a documentary film issue? What can a human be without its crutches of life-time and measure?
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?