
Philip Jeck
Philip Jeck
Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.
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Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.
Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Writing that shows us that, even in struggle, there is light to be let in.
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
A three-day celebration surveying all manner of diverse musical activities, which at their core share a basic kinship: one of exploration and the discovery of musical expresssion.