Tetsuo Kogawa
Tetsuo Kogawa
Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.
An original and beautifully simple performed installation forging a direct link between sound and image.
How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.
Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.