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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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23 November 2019
Tramway

Discussion on Mathopoetics

Fred Moten Fernando Zalamea

A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.

Episode 10: A Means Without End
A shot of murky green and brown water with several rectangular bricks submerged
20 November 2019
Tramway

All and at once

Arjuna Neuman Denise Ferreira da Silva Fred Moten Wu Tsang

Why won’t the idea of the particle or individual go away? Is the measurement problem in physics a documentary film issue? What can a human be without its crutches of life-time and measure?

Episode 10: A Means Without End
Image with the words: Paragon Ensemble
9 December 2001
The Arches

Paragon Ensemble

Paragon Ensemble

The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.

INSTAL 01
Robin Hayward sits whilst playing a tuba with a ball of sand at the horn
15 February 2008
The Arches

Self Cancellation – Sand

Robin Hayward

Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.

INSTAL 08
Arika_ASIAPOL_Whitney2012_CraigDworkin_VanessaPlace_Photo_BMcIntyre-3
2 May 2012
Whitney Museum of American Art

A Handbook of Protocols for Literary Listening

Craig Dworkin Vanessa Place

Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.

A survey is a process of listening
14 October 2006
The Arches

Infest – Polly Shang Kuan Band

Polly Shang Kuan Band

Ever changing coven of feedback worshipping witches led by Blood Stereo/ Smack Music 7 shrieker Karen Constance spit audio hexes through yr skulls.

INSTAL 06
Jackie Wang and Alexander Moll are on dark stage spotlit with a yellow and blue
22 November 2019
Tramway

Cottonmouth Liturgy

Alexander Moll Jackie Wang

A multi-media harp and spoken word tribute to the incalculable, the in-deducible, the suspicious static noise that accompanies the voice of truth, and the attempted aberrations in the domain of emergence.

Episode 10: A Means Without End
Multiple versions of several mythical looking characters look up at the camera
19 October 2003
DCA

Invasion of Thunderbolt Pagoda

Ira Cohen

Beat poet Ira Cohen’s now infamous and wildly psychedelic film odyssey feeds one’s own seeing apparatus through beautifully warped and distorting mylar mirrors, resulting in a film dense and rich with visual arcana and poetry.

Kill Your Timid Notion 03
Shuji Inaba playing acoustic guitar and singing on stage at MLFC 05
22 May 2005
The Sage Gateshead

Shuji Inaba

Shuji Inaba

A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords

Music Lover’s Field Companion 05
Loic Blairon Sits at a table
15 May 2010
Tramway

It Doesn’t Say What It Says

Loïc Blairon

Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…

UNINSTAL
Taku Unami standing against a wall
22 February 2010
DCA

Investigation – Taku Unami

Taku Unami

With Taku we’ll carry out some simple proposals for doing almost nothing, for re-thinking sound with whatever comes to hand.

Kill Your Timid Notion 10
An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
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