Iain Campbell
Iain Campbell F-W
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
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A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Cardboard boxes, metal guitar, critical homage, attempts to describe things you can’t describe. A one-man Grand Guignol school play.
Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
A performed filmic conversation on queer and black world making.
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
Inhabiting a different kind of energy, Ueinzz’s open rehearsals reveal a glimpse into their ongoing daily theatrical modes of caring – multiplying the ways in which their plays are meant to be felt, rather than understood.
Sci-fi. After the club. Underground. Counter-narrative. Narrated movement. Cultural resistance. Wu Tsang and boychild’s collaborative performance series, will continue its evolution at Episode 9 with the addition of TOTAL FREEDOM.
Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.
A sound diffusion piece by Glasgow University’s Musica Electronica, and a further selection of electroacoustic performances.