My Dog Is My Piano
Antonia Baehr
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.
An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
This performance brings together film, text and speech and temporarily constructs a filmic space to think through questions of resistance, and the choice and consequence of action vs. inaction: what does it mean to choose to not take part?
Perhaps the paradigm of America’s covert musical subculture, Sun City Girls operate just over the border of raucous delirium.
An open conversation hosted by Saidiya Hartman and Fred Moten around ‘fugitivity’ and ‘waywardness’ and what it means to be in flight, excessive or ungovernable.
Guitar solo where inscrutable, minute electric sounds are excavated by palms that smother and strangle, that wring sound from the fretboard, from behind the bridge.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.