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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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An image of someone's legs and a platform in silhouette
26 February 2010
DCA

Smith/Stewart

Smith/Stewart

Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.

Kill Your Timid Notion 10
KUCHENGA, Jackie Wang, and Nat Raha seated in discussion on red cushions
18 November 2017
Tramway

Future Justice in the Present

Jackie Wang KUCHENGA Nat Raha

Thought and action, writing and protesting. A chat with Nat Raha, KUCHENGA and Jackie Wang asking what can be learnt from writing across genres by agitators, activists and abolitionists?

Episode 9: Other Worlds Already Exist
A table with various cans and jars of food
2 May 2012
Whitney Museum of American Art

Wallingford Food Bank

Christopher DeLaurenti

A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.

A survey is a process of listening
silmukka06
19 October 2003
DCA

Short Film Programme 2: Contemporary

Billy Roisz Various Artists William Basinski

The second of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme highlights contemporary works.

Kill Your Timid Notion 03
Ulrike Flaig operating equipment by a cathode ray television
11 December 2004
DCA

Perlonex & Ulrike Flaig

Burkhard Beins Ignaz Schick Joerg Maria Zeger Ulrike Flaig

Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.

Kill Your Timid Notion 04
Tetsuo Kogawa peers at several small radios as he manipulates the aerial of one
21 March 2009
The Arches

Tetsuo Kogawa

Tetsuo Kogawa

Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.

INSTAL 09
The Museum of Non Participation written on a wall in English and Arabic
20 January 2012
CCA

The Museum of Non-Participation

Brad Butler Karen Mirza Nabil Ahmed

This performance brings together film, text and speech and temporarily constructs a filmic space to think through questions of resistance, and the choice and consequence of action vs. inaction: what does it mean to choose to not take part?

Episode 1: A Film is a Statement
Arika_Episode2_RayBrassier_AlexiKukuljevich_TheViewFromNowherePart2_AWoodward-6
25 February 2012
Tramway

The View From Nowhere Part 2

Alexi Kukuljevic Mark Fisher Ray Brassier

Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?

Episode 2: A Special Form of Darkness
A still frame from a film. A sheepdog barks and the words Bottoms Sup are shown
11 October 2008
DCA

Film Programme: Bleu Shut

A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”

Kill Your Timid Notion 08
A group of people on a stage, they move quickly. One has their hands in the air
22 October 2016
Tramway

[b]reach: The Fugitive Chronicles – an open rehearsal

Gallery of the Streets Glasgow Open Dance School Kai Lumumba Barrow

The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.

Episode 8: Refuse Powers’ Grasp
Image with the word: Defaalt
9 December 2001
The Arches

Defaalt

Defaalt

Glasgow based artist Defaalt invites the audience to collaborate fully in his performance by means of a generative graphical interface.

INSTAL 01
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