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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A lined journal from February 2019 with entries from each day with a circular diagram to the right
21 June 2023

Collective writing

Yo-Yo Lin 林友友

Coming to us from Taipei, Yo-Yo sends us elsewhere while bringing us back with her to the timezone of tomorrow. A dancer, media artist, and choreographer who makes multi-dimensions and realms, Lin’s amplification of energies and connections across bodies devolves the separations we are taught to abide.

I wanna be with you everywhere 2023
Tamio Shiraishi approaches an audience among grasses and concrete forms
12 July 2007
A concrete walkway ending in mid air

Shadowed Spaces Newcastle

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A concrete walkway ending in mid air, a ridiculously tight squeeze between three office buildings and various other sites of Labour politician and council leader T. Dan Smith’s modernist regeneration projects and ‘slum clearances’ of the 1950’s and 60’s.

Shadowed Spaces
Ludo bellowing into a microphone at INSTAL 06
13 October 2006
The Arches

Blood Stereo & Ludo Mich

Blood Stereo Ludo Mich

Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.

INSTAL 06
In a bedroom filled with daylight, Kyla, a mixed heritage woman in her 30s, sits on a raised bed and looks intently through a digital video camera. She films Lou, a white woman in her 20s who sits in Kyla’s power chair for the first time. Lou looks focused as she tries to reverse.
12 March 2022
Online

Watch What Happens Live with Kyla Harris and Lou Macnamara

Lou Macnamara Kyla Harris

In true reality television style, this in-depth artist talk will tackle all the hardest-hitting questions and juiciest details about care, creative collaboration, and disability justice.

Mutual Aid
A microphone hanging from a cable
26 February 2010
DCA

Mattin

Mattin

Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.

Kill Your Timid Notion 10
Angharad and Rhodri performing in St Giles in the Fields on violin and harp
18 October 2005
St Giles in the Fields, London

St Giles in the Fields, London 05

Angharad Davies Jandek Rauhan Orkesteri Rhodri Davies

Performances at St Giles in the Fields, London by Jandek, Rhodri Davies & Angharad Davies, Rauhan Orkesteri.

Arrington plays a bass clarinet in blue light at INSTAL 06
15 October 2006
The Arches

Arrington de Dionyso

Arrington de Dionyso

Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.

INSTAL 06
Metzger and students seated at table
17 February 2008
The Arches

Self Cancellation – A project for voices

Gustav Metzger Kenneth Goldsmith Simon Morris

A performed self-cancelling discussion, with artists from the festival, invited speakers and local artists talking at once, over each other, or straining to be heard over the din.

INSTAL 08
Gary Smith playing a guitar at MLFC 07
11 May 2007
The Sage Gateshead

Gary Smith

Gary Smith

Guitar solo where inscrutable, minute electric sounds are excavated by palms that smother and strangle, that wring sound from the fretboard, from behind the bridge.

Music Lover’s Field Companion 07
A woman in a white dress jogs across a frame screened on a wall
27 February 2010
DCA

Film Programme 2: Repetitive Actions

Emma Hart Guy Sherwin Morgan Fisher Various Artists

Setting up a minimal procedure to explore the interaction between a person and the (documentary) film/ video process. What initially seems simple ends up contrarily distanced and intimate, public and private.

Kill Your Timid Notion 10
A blackboard with chalk lined box shapes and orange post-it notes by a wall
14 November 2010
Tramway

Evacuation of The Great Learning

Mattin Ray Brassier

Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.

INSTAL 10
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