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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A close up shot of a fender amplifier
14 October 2006
The Arches

See Noise Hear Light Saturday

Jazkamer Keiji Haino Kiyoharu Kuwayama Lee Patterson Matt Hulse Ravi Padmanabha Steve Baczkowski The Bohman Brothers Tony Conrad

Freeform Super 8mm documentation of Saturday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
The Bohman Brothers on stage at INSTAL 06 surrounded by objects and microphones
14 October 2006
The Arches

The Bohman Brothers

The Bohman Brothers

Quintessentially British, The Bohman Brothers’ music is a home-made and DIY conflux of some of the most virulent strains of experimental music.

INSTAL 06
Merzbow: Masami Akita looking at a computer screen
23 November 2003
The Arches

Merzbow

Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.

INSTAL 03
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
Peach and pink gradient with black text: Revolution is not a one-time event
3 – 24 August 2020
Online

Revolution is not a one-time event

Join activists, academics and artists as they reflect on abolitionist praxis and thought, exploring covergences with gender, poetry, technology, performance, speculation, aesthetics, film and culture. This series of events commemorates Black August and is for anyone who wishes to answer the abolitionist call to action and thought.

12 March 2022
Online

Constantina Zavitsanos and Carolyn Lazard in Conversation

Carolyn Lazard Constantina Zavitsanos

Discussion: If we approach “care as an event” rather than as a “contract of exchange”  then what becomes possible in how we know, care for, and appreciate each other?

Mutual Aid
AMM in a hallway or a hotel foyer leather jackets and smiles
23 November 2003
The Arches

AMM

Eddie Prevost John Tilbury Keith Rowe

AMM have undoubtedly been among the most important contributors to the UK free improv scene for nearly 40 years and we are extremely proud to be able to be working with such distinguished musicians who still rarely play live in the UK.

INSTAL 03
A film still shows an interior view along a hospital corridor
14 April 2019
Performance Space New York

After…After…(Access)

Jordan Lord

A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.

I wanna be with you everywhere
Steve McCaffery sits at a round table and reads into a microphone
21 March 2009
The Arches

Carnival

Steve McCaffery

Leading language/ action/ sound poet performed his groundbreaking concrete poem, a dizzying mandala of text, symbols and rubber stamps; a kind of book as reading machine.

INSTAL 09
a man stands behind a red table
21 February 2010
DCA

Festival Launch

Christof Migone Jarrod Fowler

Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”

Kill Your Timid Notion 10
Projection of a pink and gold form above a man operating another projector
12 December 2004
DCA

La Cellule d’Intervention Metamkine

Metamkine

Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.

Kill Your Timid Notion 04
Bhob Rainey and Greg Kelly playing saxophone and trumpet
22 May 2005
The Sage Gateshead

Nmperign

Nmperign

Boston duo of saxophonist Bhob Rainey and trumpeter Greg Kelley approach their improvisations with a slew if extended techniques and pregnant silences.

Music Lover’s Field Companion 05
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