
Is a survey a process of listening?
Barry Esson Jay Sanders
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Includes: tamed TV snow, video feedback of racing particles, a remake of a polish photogram film destroyed in WWII, a visual and aural representation of Gestalt theory, hole-punched film and Guy Sherwin’s Cycles 3 double-projection.
What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
N30 is a massive, dynamic, immersive multi-channel presentation of front-line field recordings from the protest against the WTO in Seattle
A dense materialist experience at the limits of contemporary computer music, drawing on Korean Shamanism and Communism; striving to create a strange new vibration to the world that seems to contain the seed of everything.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.
A concrete walkway ending in mid air, a ridiculously tight squeeze between three office buildings and various other sites of Labour politician and council leader T. Dan Smith’s modernist regeneration projects and ‘slum clearances’ of the 1950’s and 60’s.
The Experimental Improvisers Association of Japan, [EXIAS-J] are a loose collective of musicians and dilettantes who seem to represent an entire and self sufficient scene in one band.