Urban Peasants
Ken Jacobs
Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.
In this interactive workshop, Dean Spade, author of Mutual Aid, will share key principles, explore common challenges in mutual aid work, and offer tools for working through them.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
Percussion used to explore the social construction of space
Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
How do communities formed under the duress of violent othering and the joy of solidarity – such as ballroom culture, Black diasporas, Zapatistas – reform bonds of kinship?
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
4 days of performances, discussions, workshops, screenings with mutant dancers, prison abolitionist poets, transfeminist revolutionaries, haunted noise, science fiction, sex worker resistance, crip erotics, radical pornography and militant fiction.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.