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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Vajra : Kan Mikami & Keiji Haino on stage at INSTAL 04
17 October 2004
The Arches

Vajra

Kan Mikami Keiji Haino Toshiaki Ishizuka

Vajra are a Japanese psychedelic rock supergroup, hewn from the collective consciousness of Fushitsusha’s Keiji Haino, folk radical Kan Mikami and percussionist Toshiaki Ishitsuka.

INSTAL 04
Klaus sits at a table and plays electronics whilst Radu plays trombone
21 March 2009
The Arches

Klaus Filip & Radu Malfatti

Klaus Filip Radu Malfatti

Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.

INSTAL 09
14 October 2006
The Arches

Infest – Birds of Delay & Nackt Insecten

Birds of Delay Nackt Insecten

Out holler/ howl of English pukenoise posterboys exploded by incessant insect chatter of Northern fug dweller.

INSTAL 06
Man with long hair and glasses and headphones sits on a bed singing
18 February 2006
DCA

Film Programme 2: Sound

Various Artists Burkhard Stangl Werner Dafeldecker

The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.

Kill Your Timid Notion 06
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

A silhouette of Delany in front of screen where a room is lit with green light
16 November 2017
Tramway

The Motion of Light

Samuel R. Delany

Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.

Episode 9: Other Worlds Already Exist
M NourbeSe Philip is congratulated by Amiri Baraka and Sonia Sanchez
21 April 2013
Tramway

Zong!

M. NourbeSe Philip

Can a collective performance of NourbeSe’s poem of black life as it exceeds containment enact alternative forms of selfhood that emerge in and out of African diasporic experience?

Episode 4: Freedom is a Constant Struggle
A flyer that says NYC Rumble Ball 66 The Road to Master. In black and red.
20 April 2014
Club Escuelitas

The Road to Mastery Rumble Ball

Various Artists

This mini, late-night ball will include categories inspired by the events earlier in the weekend.

Master Ballstar Weekend
21 March 2009
CCA

Encuentro Glasgow

Ultra-red

A public gathering that brings together local artists, musicians, activists, and community organisers.

INSTAL 09
A view of Kylie Minoise's bare back with a red bandand tied around their head
16 February 2008
The Arches

Personal Space

Kylie Minoise

Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.

INSTAL 08
A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
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