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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
1 December 2002
The Arches

John Wall

John Wall

Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces

INSTAL 02
Robin MacKay sits on a panel of 4 people. He leans forward to speak into a mic
13 November 2010
Tramway

Before or after finitude?

Arika Catherine Christer Hennix Florian Hecker Robin MacKay

Electronic music, time, thought, the word, and consecutive matters

INSTAL 10
Instal 08 Poster Graphic
14 – 17 February 2008
The Arches

INSTAL 08

A cast of pioneering and provocative spirits who exist outside the mainstream, between borders and definitions; a series of events that each explore different aspects of music that doesn’t quite fit any given category. INSTAL 08 included the Self-Cancellation project.

A performer plays instruments in a suitcase on a subway carriage
7 February 2008
The Arches

Personal Space

Nackt Insecten

Where we join Nackt Insecten’s disembodied spectral howls and heavyweight locomotive drones about SPT’s Subway.

INSTAL 08
Denise Fererria Da Silva holds both hands in the air as she talks to the group
28 September 2014
Tramway

Realness

Charlene Sinclair Fred Moten Icon Ayana Christian Michael Roberson Tourmaline

A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.

Episode 6: Make a Way Out of No Way
A man in Hi Vis smiles as he plays a snare drum in a car park
27 February 2010
DCA

Film Programme 3: Collective Actions

Various Artists

Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.

Kill Your Timid Notion 10
A 16mm film in has detailed instructions printed on its lid
22 February 2010
DCA

Urban Peasants

Ken Jacobs

Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.

Kill Your Timid Notion 10
Dawn Kasper in a yellow jacket and bare legs moves equipment
25 February 2012
Tramway

Become What You Are

Dawn Kasper

Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.

Episode 2: A Special Form of Darkness
Whitehouse shirtless on stage in the arches waving their arms
23 November 2003
The Arches

Whitehouse

Whitehouse

Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”

INSTAL 03
A person sat in a car waving. There is a parade & their jacket is colourful
22 October 2016
Tramway

Miss Major in conversation with Eric A Stanley

Eric A Stanley Miss Major

A conversation of intergenerational trans-resistance and anti-racist fierceness between two of the most inspiring public speakers we know.

Episode 8: Refuse Powers’ Grasp
Alice is centre stage in her manual wheelchair, arms raised, crutches extended
13 April 2019
Performance Space New York

Where Good Souls Fear

Alice Sheppard

An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.

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