Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Under this theme we’ve set out to group work that delves into archives for its source material, or performs some kind of archival work in situ, and at the same time we’ve gathered together work that leans in the direction of documentary in all its forms. A couple of highlights in this theme are Arthur Jafa and Kara Keeling’s sharing of film and you tube clips pertaining to queer and black world making and Ashley Hunt’s performed film documentary about Hurricane Katrina.
Haunted by the archive of the New Cross Fire, Jay Bernard presents a film and poetry reading that undertakes a queer exploration of black British history, reconstructed from archives and apparent debris.
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
Emotional fantasies, towers of cakes, identity troubles, collapsed distance and time and Samuel R. Delany’s rarely seen 1971 film The Orchid.
In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.
A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.
Jumping off from Sun Ra’s thoughts on evil, and the Alien films, this performance will explore how the sociality Sondra wants to visualise and participate in has no interest in respectability.
A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.
A landmark film on black life – a poetic filmic constellation of meditations, fragments and interviews on what it means to be black in America in the 21st century, from one of its great cinematographers.
A performed filmic conversation on queer and black world making.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.