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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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14 October 2006
The Arches

Infest – Opaque

Opaque

Low-end drone guitarage army since 1997: nobody has done more on this occasion by a gaggle of sludge-lovers from the Scottish underground.

INSTAL 06
Several brightly coloured abstract square forms are complexly layered
18 February 2006
DCA

Film Programme 1: Colour

Jennifer Reeves Various Artists Ian Helliwell Yasunao Tone

A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.

Kill Your Timid Notion 06
Tables in Kinning Park Complex community centre, a painting on the wall
16 May 2010
Kinning Park Complex

In The Shadow of Shadow – Listening Session

The Strickland Distribution Ultra-red

Strickland Distribution and Ultra-red give a practical sound workshop bringing together walk participants to discuss the issues raised during the walk

UNINSTAL
Lutz Becker reads a text, seated cross legged on a platform, against a blank wal
20 January 2012
CCA

Kino Beleske (Film Notes)

Lutz Becker

Recently rediscovered but still very pertinent, Kino Beleške presents a series of speech acts and performative gestures by protagonists of the new artistic practice in former Yugoslavia: each a personal take on the role of art in society.

Episode 1: A Film is a Statement
A film still shows an interior view along a hospital corridor
14 April 2019
Performance Space New York

After…After…(Access)

Jordan Lord

A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.

I wanna be with you everywhere
Wormit reservoir: a concrete columns and pools of water in a large sunless room
27 June 2006
Wormit Reservoir

Wormit Reservoir

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.

Resonant Spaces
People sitting around a table listening and talking
22 October 2016
Tramway

Captive Genders – Criminalisation

Che Gossett English Collective of Prostitutes Eric A Stanley Scot-Pep/ Umbrella Lane Tourmaline

What is happening when systems of repression try to grasp communities’ ways of being, living or surviving, applying laws of sexuality, gender or race to cast them as criminal?

Episode 8: Refuse Powers’ Grasp
My Cat Is An Alien at MLFC 05 Gateshead
21 May 2005
The Sage Gateshead

My Cat Is An Alien

My Cat Is An Alien

Italian duo of brothers Maurizio and Roberto Opalio utilising an array of acoustic and electric guitars, various toy-instruments and toy-microphones.

Music Lover’s Field Companion 05
A spectral Keiji Haino hardly visible on stage in near darkness
26 February 2012
Tramway

Keiji Haino

Keiji Haino

Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.

Episode 2: A Special Form of Darkness
A series of large dimly lit light bulbs hanging in a room
12 April 2007
DCA

Beyond 6281

ARTIFICIEL

Audio signals pass through light bulbs, causing the filaments of the bulbs to sing and crackle in a chorus of electronic static.

Kill Your Timid Notion 07
Pieces of coal on a sheet of white paper
10 October 2008
DCA

Benedict Drew & Sachiko M

Benedict Drew Sachiko M

Laser beam sine tones used to draw delicate, abstract patterns by vibrating charcoal, placed atop of a great strip of paper running through the gallery; beautiful, fragile sound-created autonomous drawing.

Kill Your Timid Notion 08
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End