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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Ludo bellowing into a microphone at INSTAL 06
13 October 2006
The Arches

Blood Stereo & Ludo Mich

Blood Stereo Ludo Mich

Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.

INSTAL 06
B&W cutout props of a large mushroom, some Russian building and 3 men
25 March 2012
Tramway

The Russian Woods

Chto Delat

A spectacular musical show which discusses the representation of a nation state, its characters and history. A learning play on myth construction and its reproduction.

Episode 3: Copying without Copying
A medium close up of the side and back of one person hugging and lifting another
17 April 2015
Tramway

It’s Sorta Like a Big Hug

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
Steve McCaffery sits at a round table and reads into a microphone
21 March 2009
The Arches

Carnival

Steve McCaffery

Leading language/ action/ sound poet performed his groundbreaking concrete poem, a dizzying mandala of text, symbols and rubber stamps; a kind of book as reading machine.

INSTAL 09
Cardboard boxes suspended in bunches from cords
15 May 2010
Tramway

Inferno Quiz Show

Taku Unami

Cardboard boxes, metal guitar, critical homage, attempts to describe things you can’t describe. A one-man Grand Guignol school play.

UNINSTAL
A person sat in a car waving. There is a parade & their jacket is colourful
22 October 2016
Tramway

Miss Major in conversation with Eric A Stanley

Eric A Stanley Miss Major

A conversation of intergenerational trans-resistance and anti-racist fierceness between two of the most inspiring public speakers we know.

Episode 8: Refuse Powers’ Grasp
Turquoise and Brown text reads Kill Your Timid Notion
17 – 19 October 2003
DCA

Kill Your Timid Notion 03

Taking over the gallery spaces at Dundee Contemporary Arts, the first Kill Your Timid Notion presented a 3 day programme of live immersive experiences and specially curated film programmes.

Maryanne Amacher operating a mixing console, wearing glasses
15 October 2006
The Arches

Maryanne Amacher

Maryanne Amacher

A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.

INSTAL 06
Publicity image of a man with blood coming from his ear
9 December 2001
The Arches

INSTAL 01

The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.

arika_ep7_IMG_6094
19 April 2015
Tramway

No Ready Made Men – Performance

Ueinzz

A performance of Ueinzz’s new play. Each Ueinzz performance is a process of reinvention, between exhaustion and a fleeting vision: singular, collective, anonymous, plural, suspensive, intensive, unworking life.

Episode 7: We Can’t Live Without Our Lives
24 March 2025

Week Three: We Take Care Of Each Other

River Molloy Zinzi Buchanan River MacAskill

This trans-exclusive workshop, co-facilitated by River McAskill, River Molloy and Zinzi Buchanan, offers body-focused exercises and creative practices for a trans-exclusive space, situated within the present local and global climate. We will bring an array of offerings related to the question: how can we take care of ourselves and one another, when we can’t trust state systems to take care of us? Come as you are and bring anything that adds to your comfort.

In Our Hands 2025
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
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