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Arika x Counterflows

17 November 2024
Tramway Live Stream

aquasomatics

Nat Raha Ailie Ormston

Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.

Episode 11: To End the World As We Know It
17 November 2024
Tramway Live Stream

Sunik Kim Performance

Sunik Kim

A dense materialist experience at the limits of contemporary computer music, drawing on Korean Shamanism and Communism; striving to create a strange new vibration to the world that seems to contain the seed of everything.

Episode 11: To End the World As We Know It
Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
Chuquimamani-Condori performing. Their face tilts downwards. They are wearing a wide brimmed hat, the background is dark and their face is lit dramatically by the cast of a red light
17 November 2024
Tramway Live Stream

DJ E

Chuquimamani-Condori

Ecstatic, intensely joyous experimental club music: like “the sound of our water ceremonies…40 bands playing their melodies at once to recreate the cacophony of the first aurora and the call of the morning star Venus”.

Episode 11: To End the World As We Know It
Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
15 November 2026, 18:35

Before the War, It Was the War; After the War, It Is Still the War

Mazen Kerbaj

An electro-acoustic performance composition for trumpet and field recordings of bombardment, sirens, TV clips, phone calls and the social geography of Beirut during the 2006 war, re-membered amidst the unchanging same of settler colonial violence 20 years later.

Episode 12: From the Rivers to the Seas
15 November 2026, 19:35

Against the Grain of Empty Time

Ejrad

Collective listening as a political action. Ejrad will present sonic counter-narratives from the Edinburgh student encampment which mobilise the transformative power of listening as a bridge towards solidarity, action, and change.

Episode 12: From the Rivers to the Seas
15 November 2026, 20:25

your tears are ours

Kamilya Jubran

Revolutionary songs of Arab resistance, for voice and oud, by one of the most revered figures in the experimental and alternative Arabic music scenes of the last 40 years.

Episode 12: From the Rivers to the Seas
15 November 2026, 21:30

Lungless: without lungs, or the impossibility of breathing

Mazen Kerbaj

Where eliminatory violence denies the basic necessity of breathing, Lungless is a spatialised performance for the specially built “Putin’s Organ”—7 trumpets powered by an air compressor—giving voice to a trumpet without breath.

Episode 12: From the Rivers to the Seas