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A peachy orange background has black text that says Abolitionist Feminist Future
3 August 2020
Online

The Master’s Tools Will Never Dismantle the Master’s House: Abolitionist Feminist Futures

Akwugo Emejulu Gail Lewis Hortense J. Spillers Miss Major Zoé Samudzi

A panel exploring how to dismantle the master’s house — its material edifices and ideological architecture — and the construction of abolitionist futures in the present.

Revolution is not a one-time event
Rainbow pride heart window decals advertise an offer at a Sunbed shop, Consol
23 November 2019
Tramway

Future Ruins: transfeminism, austerity and the archives

Jay Bernard Mijke van der Drift Nat Raha

Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.

Episode 10: A Means Without End
Fernando stands facing boychild who holds grasps elbow with opposite hand
23 November 2019
Tramway

Borders between Mathematics, Gestures and Dance

boychild Fernando Zalamea

How do we gesture to the invisible, the trans or the obscure? A performative conversation between boychild and Fernando, a sharing of gestures, and a bodily back and forth between mathematician and dance artist.

Episode 10: A Means Without End
Fred Moten in the middle of speaking, with Fernando Zalamea listening beside
23 November 2019
Tramway

Discussion on Mathopoetics

Fred Moten Fernando Zalamea

A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.

Episode 10: A Means Without End
Paul Klee's Angelus Novus painting is framed by box shapes with black borders
22 November 2019
Tramway

Poetry, Mathematics, Debris

Fred Moten Nathaniel Mackey Fernando Zalamea

How do poetry and maths stitch together pictures of our fractured situation from its wreckage and relics, from the debris of hope and the well of residues that make us what we are?

Episode 10: A Means Without End
Nisha on stage with glowing screen of a yellow circle with a blue figure drawing
22 November 2019
Tramway

States of the Body Produced by Love

Nisha Ramayya

In Ramayya’s visionary poetry, the body assumes as many forms as love produces states: attraction and repulsion, excitement and exhaustion, selfishness and the dissolution of self.

Episode 10: A Means Without End
Eddie George & Dhanveer sit next to each other facing an audience
22 November 2019
Tramway

The Strangeness of Dub

Dhanveer Brar Edward George

Dub is strange. A conversation with Edward George and Dhanveer Brar.

Episode 10: A Means Without End
Fernando stands gestures with one arm out, the other hand rests in the crook
22 November 2019
Tramway

Workshop on Gestural Maths

Fernando Zalamea

Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.

Episode 10: A Means Without End
two white whales made of paper perch on a low coffee table
21 November 2019
Tramway

In the Sign of Jonah: Around Moby-Dick

Laura Harris Fernando Zalamea

“The miracle of Herman Melville is this: that a hundred years ago in Moby Dick…he painted a picture of the world in which we live, which is to this day unsurpassed.” – C. L. R. James

Episode 10: A Means Without End
From left to right, moving from the longest to the shortest, are drawn the world
21 November 2019
Tramway

Entangling history, phenomenology, metaphysics, culture, and mathematics: the model RTSK

Fernando Zalamea

Profound mathematical ideas for romantics, to help us linger in the difference we share.

Episode 10: A Means Without End
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