Being for Others
Samuel R. Delany
Chip’s written some of the greatest of all Sci-Fi and Fantasy—page turning character driven diamond-hard novels and short stories: each a lens that refracts our real-life struggles and desires.
Chip’s written some of the greatest of all Sci-Fi and Fantasy—page turning character driven diamond-hard novels and short stories: each a lens that refracts our real-life struggles and desires.
4 days of performances, discussions, workshops, screenings with mutant dancers, prison abolitionist poets, transfeminist revolutionaries, haunted noise, science fiction, sex worker resistance, crip erotics, radical pornography and militant fiction.
Shutter Interface is an expanded cinema piece: a series of machinegun bursts of chromatic relationships and visual harmonics in an overwhelming montage
Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
No Wave, damaged garage jams and crazed instant vocal shrieks.