Françoise Vergès
Françoise Vergès (La Réunion/ France. Ph.D in Political Theory, University of Berkeley, 1995), writes on the racist fabrication of premature death, decolonial feminism, the impossible decolonization of the western museum, climate disaster and decolonial politics of vital needs. She has written films on Maryse Condé and Aimé Césaire, collaborates with artists, and, since 2015, curates L’Atelier which produces public performances with artists and activists. In 2025 (Bannister Fletcher Fellowship), she organized the workshop “Imagining the Post-Museum,” with the Whitechapel Gallery, Mosaic Room and the Sarah Parker Remond Center for the Study of Racism and Racialization (UCL, London), and Cité internationale des arts and ULIP in Paris. She is editorial consultant for choreographer Benjamin Millepied’s Paris Dance Project.
Françoise Vergès is currently working on a book and a film about communist anti-colonial struggles in Reunion Island through her parents’ personal archives and her own. Recent publications: Making the World Clean. Wasted Lives, Wasted Environment and Racial Capitalism (2024), Program of Absolute Disorder Decolonizing the Museum A Decolonial Feminism (2024), A Decolonial Feminism (2021).
What we wrote when Françoise took part in Episode 11, 2024:
Françoise Vergès is an antiracist feminist activist, a public educator, an independent curator, and the cofounder of the collective Decolonize the Arts and of the free and open university Decolonizing the Arts. She received her political education from her anticolonial communist parents and the people in Réunion Island, an education she pursued in Algeria, Mexico, England, the UAE, the USA, and France, received her Ph.D in Political Theory (University of Berkeley, 1995).
She is the author of A Decolonial Feminism (Pluto), The Wombs of Women: Race, Capital, Feminism (Duke), Monsters and Revolutionaries: Colonial Family Romance and Metissage (Duke), and numerous books in French. Her last book “ Une théorie feministe de la violence: pour une politique antiraciste de la protection” published in France at the end of 2020, sheds light on state-supported institutions such as the justice system and prisons, which paradoxically, by aiming to decrease violence, contribute to enhancing it.
Artist Events
Against Innocence
Houria Bouteldja Ramón Grosfoguel Françoise Vergès
How has the idea of innocence been weaponised to conceal the crimes of colonisation? Three leading anti-colonial thinkers will explore its history and examine how it continues to facilitate colonial systems today.
Undefeated Dreams of Communism in the Indian Ocean
Françoise Vergès Lara Sheehi
An evening with one of the great decolonial feminist thinkers, sharing rarely seen films commissioned by her father, as leader of the Communist Party of Réunion, that celebrate the island’s insurgent anti-colonial resistance.
A Conference of Butterflies
Anti-Denialist Museum of Palestine Nasser Abourahme Carmel Alabassi Ayreen Anastas Mahmoud Alshaer Rene Gabri Avery F. Gordon Michel Khleifi David Lloyd Peter Makhlouf Nicholas Mirzoeff Majdal Nateel Nadera Shalhoub-Kevorkian Lara Sheehi Françoise Vergès Additional Contributors
This edition of the Conference of Butterflies asks contributors to share words, notions, practices which nourish or obstruct our movements from perceiving and abolishing all the forces, forms, institutions maintaining the planetary regime of ongoing Nakba.
Curating Absolute Disorder
Françoise Vergès Nat Raha
How can we acknowledge the violent history of museum and gallery collections? Can we detach Western art from capitalist systems?
Toward Nakba as a Planetary Process
Anti-Denialist Museum of Palestine Ayreen Anastas Rene Gabri Houria Bouteldja Avery F. Gordon Françoise Vergès Additional Contributors
An assembly to try and provide some experiential and theoretical resources for the renewal of a certain affective, extra-political sociality, in the face of one of our great adversaries; the forces of colonial, imperial, genocidal denial.