JILAT
JLIAT / James Whitehead
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
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UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
Performances at St Giles in the Fields, London by Jandek, Rhodri Davies & Angharad Davies, Rauhan Orkesteri.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Every aspect of every film is always about more than just film. Or, as Godard said: a tracking shot is a moral issue. A cross between a festival, magazine and discussion about experimental artists’ films.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Complex ways of understanding our complex times. Maths & Poetics. Gesture & Physics. Collectivist Struggle & Desire. 5 days of performances, discussions, screenings and study sessions.