Jandek
Alex Neilson Jandek Richard Youngs
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
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Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).
A performed filmic conversation on queer and black world making.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
The Tower performance at KYTN throws into that mix the 70’s fluxus light shows and films of Jeff Perkins and other filmic interventions tuned to their unique frequency.
Performances of compositions by Jean-Luc Guionnet and others, with Julia Letitia Scott, Iain Campbell F-W, Neil Davidson, Fritz Welch, Liene Rozite, Emilia Beatriz.
This programme takes human subjects as the focus for sound and image construction. And it includes a couple of masterpieces of experimental film: Paul Sharits’ deeply empathetic interpretation of epilepsy and Peter Kubelka’s Webern inspired abstract portrait of Arnulf Rainer.
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.