Episode 4: Freedom is a Constant Struggle
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
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Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.
A performed self-cancelling discussion, with artists from the festival, invited speakers and local artists talking at once, over each other, or straining to be heard over the din.
Join Ståle Holgerson to discuss his new book Against the Crisis, hosted by Glasgow Housing Struggle Archive
An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
Dub is strange. A conversation with Edward George and Dhanveer Brar.
Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades