Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
An invitation into languages field of touch; to speak in feeling together.
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
The role of feelings in public life, (political) depression and creative survival.
Camille Sapara Barton author of Tending Grief will facilitate this BIPOC only session around somatics and racial justice.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
The second of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme highlights contemporary works.
Strickland Distribution and Ultra-red give a practical sound workshop bringing together walk participants to discuss the issues raised during the walk
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
In Our Hands is a ten week programme of workshops facilitated by Lisa Fannen, Omikemi and Clay. The sessions explore radical approaches to health and collective care in the context of movement for liberation and social justice.
