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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
A film still of a set of a living room filled with pictures and a couple
18 October 2003
DCA

Corpus Callosum

Michael Snow

Part old-fashioned Renaissance man, part hardcore avant-gardist, the Canadian painter-photographer-filmmaker-musician gives full vent to his genius in the exhilarating perceptual vaudeville, named after the ‘central region’ of tissue that acts as a conduit between the brain’s two hemispheres.

Kill Your Timid Notion 03
Hermann Nitsch plays organ flanked by two assistants
20 March 2009
Glasgow University Chapel

Hermann Nitsch

Hermann Nitsch

A specially commissioned performance for organ. “The course of the stars were to be put to sound.”

INSTAL 09
An image of someone's legs and a platform in silhouette
26 February 2010
DCA

Smith/Stewart

Smith/Stewart

Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.

Kill Your Timid Notion 10
Sachiko performing in blue light at INSTAL 06
15 October 2006
The Arches

Sachiko

Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.

INSTAL 06
A table with various cans and jars of food
2 May 2012
Whitney Museum of American Art

Wallingford Food Bank

Christopher DeLaurenti

A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.

A survey is a process of listening
William Parker talking during his performance at MLFC 07
13 May 2007

William Parker

William Parker

William cradles, hammers, and rains down blows, plucking and using 2 bows to attack the strings above and below the bridge, all in the service of a fiery and passionate creativity.

Music Lover’s Field Companion 07
a fisheye lens looks up a blue sky with skyscrapers towering around
14 April 2007
DCA

Film Programme 1: In + Out

Guy Sherwin Various Artists

Includes: a polish counting lesson, around NYC with D A Pennebaker, a portrait of a tower block, a man with a spade, at home with KYTN regular Guy Sherwin, a cinematic Blair Witchish cut-up and a song for some swings.

Kill Your Timid Notion 07
a man stands behind a red table
21 February 2010
DCA

Festival Launch

Christof Migone Jarrod Fowler

Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”

Kill Your Timid Notion 10
Jean-Luc and Toshi sitting near an organ
20 March 2009
Glasgow University Chapel

Jean-Luc Guionnet & Toshimaru Nakamura

Jean-Luc Guionnet Toshimaru Nakamura

Brain boiling duo improvisation by great Japanese no input mixing desk pioneer Toshi Nakamura and french organ philosopher Jean-Luc Guionnet.

INSTAL 09
A flyer in black and grey that says Master BallStar Weekend
15 – 20 April 2014
MoMA PS1 The New School Holiday Inn Club Escuelitas

Master Ballstar Weekend

A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.