House
Eric La Casa Jean-Luc Guionnet
One-shot sonic portraits of 4 houses, their inhabitants and their relationship to sound, from 2 of the most deep-thinking field-recording artists around.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
One-shot sonic portraits of 4 houses, their inhabitants and their relationship to sound, from 2 of the most deep-thinking field-recording artists around.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
No Wave, damaged garage jams and crazed instant vocal shrieks.
A performed, open, public conversation about how we might think politics from the position of intuition, in which Denise and Valentina use un-reasonable tools to map out a hybrid poetical/ ethical reading of their own situations.
Offering a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves. Expect fire and a little bit of smoke. Concluding with a D/deaf centered social space with conversational interpreters available for those who do not speak ASL.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.