Sea Oak
Emily Wardill
A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
A three-day celebration surveying all manner of diverse musical activities, which at their core share a basic kinship: one of exploration and the discovery of musical expresssion.
Inspired by Delany’s Aye, and Gomorra. A spookily filmic world where asexual bodies live in the contradiction of their unarousable loneliness and desire for intimacy and contact.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
The struggle for sex workers’ rights and how we can understand it in the continuum of care work and other forms of invisibilised and precarious work.
A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.
How do poetry and maths stitch together pictures of our fractured situation from its wreckage and relics, from the debris of hope and the well of residues that make us what we are?