Overheard (Suspension of Belief Sketch 4)
Resonance Radio Orchestra
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
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There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.
A prison abolitionist punk video-poetry-music mash up about our fucked-up dystopian society, RoboCop, kids toys and criminality.
Glasgow based artist Defaalt invites the audience to collaborate fully in his performance by means of a generative graphical interface.
Take a break and/ or hang in an Open Meet Up in IRL and URL
The worlds leading radio art station brings you: a performance, a radio show, an installation, an endurance test.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
How do communities formed under the duress of violent othering and the joy of solidarity – such as ballroom culture, Black diasporas, Zapatistas – reform bonds of kinship?
The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
The role of feelings in public life, (political) depression and creative survival.
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.