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Arissana Pataxó

Links
Arissana Pataxó's Blog

What we wrote when Arissana took part in Episode 11, 2024:

Arissana Pataxó is a visual artist, teacher and researcher. She is an indigenous woman from Porto Seguro – Bahia (BRAZIL) and belongs to the Pataxó people. In 2024, she was part of the curatorship of the Hãhãwpuá Pavilion at the Venice Biennale together with Denilson Baniwa and Gustavo Caboco. In the same year, she stood out for her work together with Sandra Benites and Francineia Baniwa as a holder of the Olavo Setúbal Chair of Art at USP. To create her works, she uses various techniques and media, bringing discussions that permeate experiences with her family and her people, with themes that discuss struggle, territory, memory, etc. Since 2005, she has held several solo and group exhibitions in Brazil, and has also participated in group exhibitions in Portugal, Norway, England, and the United States. She has been working in indigenous school education since 2002, also developing activities with teacher training and production of teaching materials. She has a degree in Fine Arts, a master’s degree in Ethnic and African Studies from the Federal University of Bahia, and is currently a doctoral student in Visual Arts at the same university.

Arissana smiles at the camera. She wears a blue vest top and beads with flowers in her long dark hair.

Artist Events

An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
Hands holding a deck of cards.
15 November 2024
Tramway Live Stream

More Than Perfect

Denise Ferreira da Silva Arissana Pataxó Leanne Betasamosake Simpson Geni Núñez Ailton Krenak (by video)

A conversation between influential figures thinking through Blackness and Indigeneity, asking: what if we took seriously the possibility that this world, as we know it, may be coming to an end? We dread the loss of this world, but have we begun to imagine the one to come?

Episode 11: To End the World As We Know It
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