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Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
Sunik Kim performing. They are sat at a desk with a laptop and mic, there is a cast of blue glowing light.
17 November 2024
Tramway Live Stream

Performance

Sunik Kim

A dense materialist experience at the limits of contemporary computer music, drawing on Korean Shamanism and Communism; striving to create a strange new vibration to the world that seems to contain the seed of everything.

Episode 11: To End the World As We Know It
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
Jackie Wang and Alexander Moll are on dark stage spotlit with a yellow and blue
22 November 2019
Tramway

Cottonmouth Liturgy

Alexander Moll Jackie Wang

A multi-media harp and spoken word tribute to the incalculable, the in-deducible, the suspicious static noise that accompanies the voice of truth, and the attempted aberrations in the domain of emergence.

Episode 10: A Means Without End
Nat Raha speaks into a microphone while she reads
24 November 2019
Tramway

apparitions

Nat Raha

Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.

Episode 10: A Means Without End
boychild raises hands to the air open palm toward ceiling, head tilted upwards
23 November 2019
Tramway

Untitled Hand Dance

boychild

“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild

Episode 10: A Means Without End
A gloomy pond with dark rushes reflect a grey light. A pink lens flare
24 November 2019
Tramway

aspects caught in the headspace we’re in

James Goodwin

Goodwin’s writing emanates from the social life of poetry, from a condition of entanglement before historically racially-specific forms of representation. Another word for this emanation is breath.

Episode 10: A Means Without End
Mijke point to a white board their face is reflected in a tv screen to their lef
24 November 2019
Tramway

Multilogics and Poetics of Radical Transfeminism

Mijke van der Drift Nat Raha

Underlying radical transfeminism, as an urgent critique of binary essentialism and fixed identities, is the call for a new kind of thinking that can move between and integrate the truths of all lives in their transformations.

Episode 10: A Means Without End
Two abstract images merge. Earth coloured circles. Traces of particle decay.
24 November 2019
Tramway

The utterly in common, or bodies of colour in the flesh

James Goodwin Nisha Ramayya

“Beginning where you and me ends, where we don’t so much come but are already here.” Join James and Nisha to talk about breath, erotics and flesh, about our social, poetic cosubstantiality.

Episode 10: A Means Without End
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