
William Basinski
William Basinski
Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.
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Wherein (musical) compositions which are in some sense unfinished (scores for improvisers, for example) might be grouped with work that deals with postponement. A good place to start might be Walter Marchetti’s De Musicorum Infelicitate that we staged as a durational installation with the help of Esther Ferrer or Tony Conrad’s Ten Years Alive on the Infinite Plane or Joan La Barbara’s vocal fireworks.
Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.
The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.