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Film still from Oriana. The camera points from above onto the face a person with dark long hair. They look towards the sunlight with their eyes close; a green leaf covers the left side of their face. In the background is water and gravel and stone covered river bed with green foliage.
14 November 2024, 20:25
Tramway Glasgow

Oriana

Beatriz Santiago Muñoz

A film as a translation of Monique Wittig’s landmark feminist novel Les Guérillères, in which a plural protagonist of militant feminists inhabit a fantastical, enigmatic and hallucinatory miasmatic space-time of post Hurricane Maria Puerto Rico.

Episode 11: To End the World As We Know It
Film still from Oriana. In the foreground a person stands at the top of a grassy hill clearing in a wooded area. They are wearing a silver geometric mask made from triangle shaped mirrors; it covers the head and eyes and is tied under the chin with grey fabric ties. They stand with their arms crossed and leaning back slightly and are wearing a dark all in one suit. Blurred in the background stands another person looking towards the top of the grassy hill.
15 November 2024, 11:00
Glasgow School of Art Glasgow

Glasgow School of Art Friday Event

Beatriz Santiago Muñoz

Beatriz will explore her thinking, on film as translation, plural subjectivity or land-based militancy. Discussion will centre around her work Oriana and its companion piece Oenanthe, which will be screened in full.

Episode 11: To End the World As We Know It
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