In Greg Pope’s Light Trap film loops are abraded with sandpaper and gem polishing drills as they pass through projectors in each corner of the room.  Out of a dark haze, shafts of light emerge, as the emulsion is scratched from the surface of the film. Simultaneously, out of the black silence, noise and audible scratches bloom into a bright drone. It’s not really an installation, or like a normal performance, it’s just an experience of real beauty.