The multi-projector performances of filmmaker Bruce McClure open up a pretty heavy world of hallucinatory retinal pyrotechnics that we’ve not seen the like of before. Bruce employs multiple bastardised 16mm projectors, screwed about with, the motors modified, brass grids retro-fitted askance between lens and gate. These personalised instruments are used to transform loops of pure black and white frames into an immersive riot of perceptual phenomenon in colour, motion and sound.