Sun 21 Feb
Mon 22 Feb
Tue 23 Feb
Wed 24 Feb
Thu 25 Feb
Fri 26 Feb
Sat 27 Feb
Film is ideally suited to examine how repetition breeds difference. Copying without copying.
Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?
“I alter material by organising it unchanged. Each work is an organised area of unchanged elements. Neither successive or additive, there is no result or sum.”—Peter Roehr
Huge thanks to all involved in helping create this festival.
KYTN is a joint project by Arika and Dundee Contemporary Arts.
Started in 2003, this is the 6th edition. We would like to thank all our supporters and encouragers. These events would not be possible without you.
Adam Lockhart at the VRC, All of our staff and crew, Andrew Downie, Laura McGregor and PEER Education, Andrew Lampert at Anthology Film Archives, Ashley Davidson, Darri and Mike Donnelly at Coob, DM Audio, Ed Murdoch and Grahame Hamilton at Tonic, Emmanuel Lefrant and Christophe Bichon at Lightcone, Everyone at Generator Projects, Jean-Luc Guionnet, Jez Burrows, Jonathan Baxter, Laura Cameron Lewis, Layla Brown and everyone at Pure Media, Louisa Preston & Rachel Walker, Maria Palacios Cruz, Mike Sperlinger & Ben Cook at the Lux, Pablo de Ocampo at Images Festival, Rebecca Cleman at EAI, Richie Cummings, Sean Meehan, SM Lighting , Stagehire Scotland, Steve Partridge, Edwin Jansen, Moira Payne, Mark Vernon, Eddie Summerton, Mel Woods at DJCAD, Stoffel Debuysere, Theus Zwakhals at Montevideo, Thomas Beard at Light Industries, Ultra-red members who can't be here: Robert Sember & Don’t Rhine
SAC, Scottish Screen/Lottery, YMI, DoJ
The Wire, The Skinny, Resonance FM
Arika would like to say here how very, very saddened we were at the recent and unexpected deaths of two or our friends, Maryanne Amacher and Jack Rose. Although in radically different ways, and furthering totally different ideas of music, both Jack and Maryanne’s work would be a good point to start any investigation of experimental music. Seek out their work, please. This festival is dedicated to them.
