About us


Established in 2001, Arika is a political arts organisation concerned with supporting connections between artistic production and social change.



We think of art as a relationship that constantly unfolds in the realm of the common, a process and a continuum. We see our role in this unfolding relationship as celebrating and supporting connections between art and social change. When we say art, we mean the ways we sing and dance together, the ways we listen and want to be heard, how we look and hope to be seen, how we think of our bodies and how we move through space, for example.

We currently do this through a programme of public events called Episodes comprising performances, discussions, screenings and collective learning. Developing iteratively, each informing the next, they often involve watching, listening, talking or dancing together. They are a continuation, through friendship and solidarity, of conversations we are entangled in both locally and internationally. Especially, Episodes are committed to experiments in a sociality that goes beyond personhood and that propose new ways of living in the world today, born of collective desires and struggle.

We also work on a smaller scale to produce events that support specific struggles in allyship with UK based activists and political groups. We do our best to act in solidarity with local groups whose ideas, experiences and struggles we feel especially connected to, recognising how critical the resistance of these groups is. We co-operate closely with specific groups who are pushing back against the violence of racist borders, poverty and criminalisation of sex work; taking their lead on projects they want to see happen. A few of those events are open to a wide public, like parts of the recent Sex Workers’ Festival of Resistance, most are specifically with smaller groups and are not broadly advertised. Other events we organise, such as the Episodes, are directly nourished and informed by the multiple insights they generate.

Arika is inspired and galvanized to do this work by many predecessors: artists, organisers, witches, anarchists, students, educators, heretics, activists, militants, mothers, children, as well as those who make trouble in between and at the peripheries of these and other categories. We hope in our work to pay tribute to these histories, and carry on the belief that radical forms of resistance can find crucial support in the aesthetic registers of social life.   




Since 2011 we’ve been working to bring documentation of our past work into the public domain through our website. On this site you can access an extensive archive of video and audio recordings of experimental music, art work, discussions, films and performances. 

If you, or an organisation you are a part of would like to enquire about our archive, or propose a conversation around particular documents, artists or themes, please contact us at info@arika.org.uk

If you wish to know more generally, to become involved in some of Arika’s activities, or to offer feedback, please contact us at the above email address.

Past Projects

At last count we’ve organised over 1,100 events attended by at least 134,000 people and featuring about 1,200 artists, filmmakers, performers, dancers, musicians, philosophers, activists, community organisers, academics, and writers. 

Our projects have been delivered in collaboration with many partners and venues such as concert halls, community spaces, major international museums and biennials, cinemas, art centres, roadsides, an IMAX, stone circles, pubs, under bridges, and once in an underground fuel storage tank. 

Partner institutions have included The Arches (Glasgow), Dundee Contemporary Arts (Dundee), The Whitney Museum of American Art (New York), MoMA PS1 (New York), Tramway (Glasgow), Sage Gateshead, Institute of Contemporary Arts (London), British Film Institute, Never Come Ashore, Art Angel (Dundee) and PAN.

Events we’ve programmed in the past include the festivals INSTAL, Kill Your Timid Notion and Music Lover’s Field Companion, and the Shadowed Spaces and Resonant Spaces tours. We’ve worked on long term community projects with Ultra-redSWARM (Sex Worker Advocacy and Resistance Movement), Arbert Santana Ballroom Freedom and Free School and presented a week long programme of events as part of the 2012 Whitney Biennial entitled A Survey is a Process of Listening.



We are a not-for-profit Community Interest Company, supported by Creative Scotland.

The current team at Arika is

Bryony McIntyre

Barry Esson 

Emma Macleod

Cloudberry McLean

Folk who have spent time working on Arika projects include (but are not limited to): Alex Fleming, Agnieszka Habraschka, Neil Davidson, Emilia Muller-Ginorio, Alex McNutt, Alex Woodward, Alice Black, Andrew Houston, Anna Pearce, Ash Reid, Avalon Hernandez, Ben Kamps, Reina Gossett, Chris Dennis, Chris Nelms, Dan Adams, Darri Donnelly, Emily Roff, Erin McElhinney, Glen Thomson, James Hindle, Jana Robert, Jason Brogan, Jim Hutcheson, Jo Shaw, Jon Clarke, Jonathan Anderson, Kamal Ackerie, Kenny Macleod, Laura Cameron Lewis, Matt Lloyd, Mike Donnelly, Neil Davidson, Nick Miller, Ruari Cormack, Ruth Marsh, Lesley Young.

Arika is a Japanese word, which a friend of ours [1] thought could give a name to our activities.  We have heard many translations of it - ‘a secret hiding place’, ‘the location of all things’.  But the one we like the best is – ‘a place where maybe you might find the thing you desire [2]

[1] The musician Keiji Haino.

[2] This translation was given to us by the musician Taku Unami.




  1. The encounters they stage and the episodes they construct bear the weight of a history they honour in trying to forge. Their work reminds us that art is irreducibly social and that its spirit, the range of its transcendence, is irreducibly earthly. 

    —Fred Moten
    Poet and writer

  2. Arika are at the forefront of experientially rich, aesthetically demanding, and philosophically provoking curatorial practice…

    —Jay Sanders
    Curator at Whitney Museum of American Art

  • Arika have a unique organisational practice that allows them to dynamically reflect and contribute to contemporary arts practice.

    —Ben Cook
    Director, LUX

  1. My brain and soul melted after all of the weekend's programme. And now thankfully it is starting to regenerate into something stronger...

    —Audience Member
    Episode 6: Make a Way Out of No Way

  2. Provocative, iconoclastic, sophisticated art, discussion and social interaction midwifed by a visionary team whose high professional standards added materially to its execution and the impact of its content.

    —Ed Baxter
    Resonance 104.4FM

  1. Arika’s conversations remain extremely necessary – so that, if nothing else, we may at least collectively chart our downfall, or perhaps even our destruction.
    —The Skinny
    On Episode 6, published October 2014
  2. Like the host of any good party, Arika is host to people, to concepts and ideas, to daily struggles and joys.

    —Park McArthur